Every year, in Honmoku, Yokohama, the Ouma Nagashi event is held during summer. The event is believed to take evil out of the town by throwing the figures into the sea. It is a kind of purification ritual. It has been practiced for nearly 450 years since the medieval era when feudal warlords were fighting each other to survive.
Originally the figures were sent offshore by six wooden boats before the 1950s. Until last year, fishing motorboats had been used to bring the Ouma figures offshore. Last year the wooden boats came back for the first time in 50 years after being repaired thanks to donations by local residents and businesses. This historic revival of traditional watercraft has injected a powerful sense of authenticity and community pride into the modern observance.
The ritual serves as a profound spiritual anchor for the coastal community, cleansing the town of misfortune and praying for safety, health, and prosperity. Passing down this complex sequence of sacred duties from elders to younger generations ensures that centuries of local spiritual heritage remain unbroken. Witnessing the solemn transition from land-based purification to the maritime release offers a rare window into authentic medieval Japanese folklore.
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Ouma is a figure with the head of a horse and a turtle-like body made of straw. Every year six pieces of Ouma are made for the event, which are dedicated to the Honmoku Shinto shrine. They are brought to the shrine by men in formal kimono in the early morning of the day before the event. After they stay in the shrine overnight, they are carried throughout the town of Honmoku in the morning. Then they are sent about 5km offshore by boats from the Honmoku fishing port and thrown into the sea.
On the day of Ouma Nagashi ritual, six portable shrines, carried by men and women of all ages get together from six areas of Honmoku near MYCAL Honmoku to show off their high spirits in their own local matsuri festival costumes. That is the moment when Honmoku streets come alive with their cheerful calls, and everyone forgets the scorching heat of high summer. And it is an occasion for us to feel and smell the history of the town.
The gathering of mikoshi portable shrines from multiple neighborhood sectors fosters deep unity across the entire district. Participants of diverse backgrounds, from energetic youths to seasoned community elders, coordinate their efforts to shoulder the heavy sacred palanquins. Their synchronized movements and spirited chants echo off local buildings, creating an atmosphere of electric excitement.
Honmoku Shrine stands as the spiritual heart of the community, anchoring centuries of local faith and ritual practice. Established long before the rapid modernization of the surrounding urban landscape, the shrine has weathered profound historical changes while maintaining its sacred responsibilities. It serves as the custodian of the Ouma Nagashi tradition, ensuring its faithful execution year after year.
The history of the festival is deeply intertwined with the defensive struggles and daily realities of medieval coastal dwellers. Feudal warlords fought for dominance during the era when these purification rites were first established, placing spiritual protection at the center of community life. Over the centuries, the ritual evolved from a localized survival custom into a treasured cultural asset recognized across Kanagawa Prefecture.
Participants wear immaculate traditional garments that reflect the solemnity and joy of the historic summer occasion. Formal kimono worn during the initial dedication contrasted with vibrant festival coats worn during the mikoshi parade create a visually striking progression. Every attire choice honors the distinct ceremonial roles assigned to different community members.
The acoustic environment is heavily defined by rhythmic chanting, traditional call-and-response shouts, and the steady tramp of sandals on asphalt. These vocalizations unify the procession teams, helping bearers maintain physical stamina and synchronous momentum under the scorching summer sun. The collective soundscape immerses onlookers in an authentic historical atmosphere.
Beautiful beaches existed at the shores of Honmoku only 50 years ago. Honmoku was a fishing village, where villagers produced seaweed and farmed fish. Among them were anago sea eels and shako shrimp. They are important ingredients of “Edo style sushi”. The beaches were reclaimed to expand the port facilities in the 1960’s. Still, some fishermen continue to fish off Honmoku from this fishing port. Now we seldom have an occasion to enjoy the smell of the sea close by even though we are living in Honmoku, which used to be famous for its beautiful beaches.
The ritual functions as a major purification ceremony designed to collect and cast away misfortune, evil, and impurities from the town of Honmoku. By sending the straw figures out to sea, the community prays for ongoing health, safety, and regional prosperity.
Ouma figures are symbolic effigies meticulously woven from natural straw, featuring the distinct head of a horse and the body of a turtle. Exactly six of these detailed straw figures are crafted annually and dedicated to the Honmoku Shinto shrine.
The historic custom has been continuously practiced for nearly 450 years, dating back to the medieval era of feudal conflict. It represents one of the oldest surviving folk religious traditions maintained in the Yokohama coastal region.
Following morning street processions, the consecrated Ouma figures are transported from the fishing port onto traditional wooden boats. They are taken approximately five kilometers offshore into open waters and cast into the sea to complete the purification rite.
Six portable shrines gather from various neighborhoods near MYCAL Honmoku to parade through the local streets. Participants wearing festive attire carry the palanquins while filling the urban thoroughfares with spirited traditional chants and high energy.
Honmoku was once a celebrated fishing village featuring beautiful natural beaches and rich harvests of seaweed and seafood. Although extensive land reclamation in the 1960s expanded port facilities and altered the coastline, the festival keeps its maritime heritage alive.
Because exact dates are determined annually for early August, travelers should consult the official shrine website for up-to-date announcements. The site provides essential Japanese-language schedules regarding morning shrine departures and festival events.
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