Madrid Royal Theatre “Adriana Lecouvreur” 2027 is a special cinema presentation bringing a production from Teatro Real in Madrid to audiences in Wakayama. The screening takes place at Wakayama Castle Hall Small Hall on Wednesday, March 3, 2027, and is promoted as the first screening of this Teatro Real opera work in Wakayama. The event is presented as a cinema screening rather than a live opera performance, allowing local audiences to experience an internationally staged production on screen.
The opera is Francesco Cilea’s Adriana Lecouvreur, a four-act work first premiered in Milan in 1902. The story is set in 18th-century France and follows Adriana Lecouvreur, the celebrated actress of the Comédie-Française, whose relationship with the nobleman Maurizio becomes entangled in jealousy, rivalry and betrayal. Teatro Real describes the production as a theatrical world within the theatre, combining opera with the atmosphere of 18th-century Paris.
The production was directed for the stage by Scottish director David McVicar, whose work spans both opera and theatre. At Teatro Real, the production featured period-inspired sets and costumes by Charles Edwards and Brigitte Reiffenstuel, lighting by Adam Silverman and choreography by Andrew George. Nicola Luisotti conducted the Teatro Real’s orchestra, with José Luis Basso directing the chorus.
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The Madrid production was first presented at Teatro Real in September and October 2024 as part of the opening of the 2024/25 season. It was notable as the first production of Adriana Lecouvreur ever staged at Teatro Real. The production was also presented in tribute to José Carreras, marking 50 years since his 1974 performance of Maurizio at Madrid’s Teatro de la Zarzuela alongside Montserrat Caballé.
For the Wakayama screening, audiences will be able to experience the recorded production without travelling to Madrid. The cinema format brings together the visual detail of McVicar’s staging, the period costumes and theatrical setting with the vocal and orchestral performances captured from the Teatro Real production.
The opera has an approximate running time of 3 hours and 10 minutes, including two intermissions. This makes it a substantial cultural event rather than a short film screening, and visitors should plan to remain at the venue for several hours.
The production is particularly suitable for audiences interested in opera, European theatre, historical drama, classical music and filmed performances from major international opera houses. It also provides an opportunity for audiences who may not regularly travel internationally for opera to experience a major Teatro Real production locally.
The Wakayama cinema screening takes place on Wednesday, March 3, 2027.
Date: Wednesday, March 3, 2027
Event: Madrid Royal Theatre Cinema Stage “Adriana Lecouvreur”
City: Wakayama, Wakayama Prefecture, Japan
Venue: Wakayama Castle Hall Small Hall
Format: Cinema screening of a Teatro Real opera production
Ticket Pia lists the performance for March 3, 2027, at Wakayama Castle Hall Small Hall. The ticket sales period shown on the listing runs through March 2, 2027, at 11:59 p.m., subject to availability.
This is a single-day presentation rather than a multi-day opera festival. There are no separate dates from which visitors can choose in Wakayama, so anyone wishing to attend should plan around March 3.
The performance is especially convenient for visitors who want to experience an internationally recognised European opera production without travelling overseas. Since this is a cinema presentation, the audience watches the Teatro Real production on screen rather than seeing singers physically perform in Wakayama.
The exact screening start time should be confirmed through the ticket information before travelling, as the publicly accessible Pia listing confirms the date and venue but does not display a full timetable in the available event description.
The screening will be held at Wakayama Castle Hall Small Hall, part of the modern Wakayama Castle Hall complex in central Wakayama.
Venue: Wakayama Castle Hall Small Hall
Address: 25-1 Shichibancho, Wakayama City, Wakayama 640-8156, Japan
Venue capacity: 395 seats, including six fixed wheelchair spaces
Hall type: Indoor small hall
The Small Hall is designed for music, lectures, ceremonies, small-scale theatre and dance. The hall has an open-style stage and a seating layout designed to improve sightlines. The official venue information lists 395 seats, including fixed wheelchair seating.
Wakayama Castle Hall itself contains both large and small halls, exhibition and meeting facilities and other public spaces. The Small Hall provides a more intimate environment suited to a cinema presentation of an opera production.
The venue is located near Wakayama Castle and the central civic area of Wakayama City. Its location makes it practical to combine the screening with sightseeing, dining and other cultural activities in central Wakayama.
There is no outdoor festival site associated with this event. The complete experience takes place inside the Small Hall, with the Teatro Real production presented on a cinema screen.
The featured work is Francesco Cilea’s Adriana Lecouvreur, an opera in four acts with a libretto by Arturo Colautti based on the play by Eugène Scribe and Ernest Legouvé. The opera was first performed at Milan’s Teatro Lirico on November 6, 1902.
The story centres on Adriana Lecouvreur, a celebrated actress at the Comédie-Française. She falls in love with Maurizio, a nobleman whose identity and political circumstances become increasingly important to the plot.
The relationship becomes complicated when the Princess of Bouillon is revealed as another woman connected to Maurizio. Jealousy and rivalry gradually intensify, eventually leading to the tragic fate of the title character. Teatro Real describes the story as one of love, jealousy and betrayal in 18th-century France.
Act I: The world of the Comédie-Française is introduced, establishing Adriana’s career and her relationship with Maurizio.
Act II: The emotional conflict surrounding Maurizio, Adriana and the Princess of Bouillon develops further.
Act III: Social rivalry and jealousy become increasingly prominent as the characters’ relationships become more complicated.
Act IV: The opera reaches its tragic conclusion as Adriana’s personal and professional worlds collide.
The Teatro Real production runs approximately 3 hours and 10 minutes with two intermissions.
The Wakayama event presents the Teatro Real’s 2024 production of Adriana Lecouvreur, directed by David McVicar.
Composer: Francesco Cilea
Libretto: Arturo Colautti
Stage director: David McVicar
Musical conductor: Nicola Luisotti
Set design: Charles Edwards
Costumes: Brigitte Reiffenstuel
Lighting: Adam Silverman
Choreography: Andrew George
Chorus director: José Luis Basso
The 2024 Teatro Real production featured an international cast led by Ermonela Jaho and Maria Agresta in the title role on different performance dates. Brian Jagde and Matthew Polenzani alternated as Maurizio, while Elīna Garanča and Ksenia Dudnikova were among the artists appearing as the Princess of Bouillon.
Other principal performers included Maurizio Muraro as the Prince of Bouillon, Nicola Alaimo and Manel Esteve as Michonnet, David Lagares as Quinault, Vicenç Esteve as Poisson, Sylvia Schwartz as Mademoiselle Jouvenot and Monica Bacelli as Mademoiselle Dangeville.
The Teatro Real Chorus and Orchestra also participated in the production.
Because the Wakayama event is a cinema screening of the Teatro Real production, the performers seen on screen are the cast from the recorded Madrid production rather than a newly assembled live cast in Wakayama.
The principal presentation is the filmed Teatro Real production of Adriana Lecouvreur.
The production is built around the concept of theatre within theatre. Adriana is herself a famous actress, so the opera’s dramatic world naturally incorporates theatrical performance, backstage relationships and the contrast between public celebrity and private emotions.
David McVicar’s staging places the story within an 18th-century theatrical environment. Teatro Real describes the production as a period-style presentation with detailed scenery and costumes, reinforcing the connection between the opera and the world of the Comédie-Française.
The visual production is supported by Charles Edwards’ set design and Brigitte Reiffenstuel’s costumes. Adam Silverman’s lighting and Andrew George’s choreography further contribute to the theatrical atmosphere.
The musical performance is conducted by Nicola Luisotti, with the Teatro Real’s resident chorus and orchestra providing the musical foundation.
For audiences watching in Wakayama, the cinema presentation provides an opportunity to appreciate these elements from the perspective of a recorded major opera-house production, including the singers, orchestra, staging and detailed period design.
This event has one scheduled presentation in Wakayama.
March 3, 2027: Cinema screening of Teatro Real’s Adriana Lecouvreur
The underlying Teatro Real production was presented in Madrid over multiple dates from September 23 through October 11, 2024. The production included 13 performances and multiple cast combinations.
For the Wakayama presentation, there is no separate live stage programme or multiple performance schedule. The audience will watch the recorded production from beginning to end.
The complete production consists of four acts and has an approximate total duration of 3 hours and 10 minutes, including two intermissions.
The exact Wakayama screening start time should be checked with the ticketing information because the available Pia listing confirms the date and venue but does not provide the complete timetable in its accessible event description.
Ticket Pia lists the admission for the Wakayama screening as a general all-seat ticket.
General admission: Approximately $15.93
Seating: General seating arrangement
Ticket price basis: The published admission is ¥2,500, converted here at approximately 0.00637 USD per yen using a September 2026 JPY/USD rate.
The ticket price makes the cinema presentation considerably different from attending a major opera production in Madrid, while still providing access to a recorded Teatro Real production.
Visitors should confirm the final ticket availability and any applicable ticketing conditions when purchasing, because ticket sales can change as the event approaches.
Pia lists the general sales period through March 2, 2027, at 11:59 p.m., although tickets may sell out before that deadline.
Tickets are available through Ticket Pia.
General sale: Listed as currently on sale
Sales deadline: March 2, 2027, at 11:59 p.m., according to the current Pia listing
Ticketing platform: Ticket Pia
The event’s Pia page provides the official event information and ticket-purchase route.
Visitors should purchase through the authorised ticketing channel rather than relying on unofficial resale sources.
The event is a single screening in a 395-seat Small Hall, so seating availability is naturally limited by the capacity of the venue. The hall’s official specification lists 395 seats, including six fixed wheelchair spaces.
Anyone travelling from another city should confirm ticket availability before booking non-refundable transportation or accommodation.
For ticket-related questions concerning the Wakayama presentation, Pia lists the Fukkō Cinema Opera Association as the event contact, with a dedicated telephone number.
No separate VIP package or premium hospitality programme has been announced for the Wakayama screening.
VIP tickets: Not announced
Premium package: Not announced
Meet-and-greet: Not applicable to the cinema screening
Backstage access: Not available
The event is a recorded opera cinema presentation rather than a live Teatro Real performance, so there is no live artist interaction or backstage programme associated with the screening.
The Small Hall provides a dedicated cultural venue with a relatively intimate 395-seat configuration. Its seating layout is designed with visibility in mind, and the venue also provides wheelchair and multipurpose seating facilities.
Visitors should follow the standard rules for cinema and performing-arts presentations.
Photography and recording: The venue states that photography and recording from audience seating are not permitted unless specifically authorised.
Mobile phones: Phones and other electronic devices should be silenced during the screening.
Late arrival: Visitors arriving after the screening has started should follow staff instructions regarding entry.
Programme: The screening programme may be subject to changes or technical circumstances.
Children: The event information does not state a specific age restriction, so families should check the organiser’s latest guidance before attending.
The venue operates as a public cultural facility and asks visitors to respect other audience members. Because the production lasts approximately 3 hours and 10 minutes with two intermissions, visitors should also plan accordingly.
Wakayama Castle Hall is located at 25-1 Shichibancho, Wakayama City, Wakayama Prefecture.
Address: 25-1 Shichibancho, Wakayama City, Wakayama 640-8156
The official hall access information provides routes from both JR Wakayama Station and Nankai Wakayamashi Station.
From JR Wakayama Station, visitors can use local buses from the station’s bus terminal and get off at Wakayama Castle-mae. The venue also provides access information for visitors arriving from Kansai International Airport and from Nankai Namba Station.
Visitors coming from Osaka can travel to Wakayama by JR or Nankai services before continuing by local bus.
The venue is positioned in central Wakayama near Wakayama Castle, making it convenient to combine the screening with sightseeing before or after the event.
Public transport is a practical option for reaching Wakayama Castle Hall.
JR Wakayama Station: Take a local bus from the station and get off at Wakayama Castle-mae.
Nankai Wakayamashi Station: Local buses connect the station with the Wakayama Castle area.
Kansai International Airport: Visitors can travel by JR or airport bus toward Wakayama before continuing to the venue.
Venue parking: Wakayama Castle Hall does not have a dedicated private parking lot. Visitors are directed to nearby municipal parking facilities or surrounding coin-operated parking.
The nearby Central Parking has 564 spaces and North Parking has 212 spaces, for a combined capacity of 776 spaces. The official parking information provides different rates for weekdays and holidays.
For Saturday, Sunday and holiday periods, the municipal Central and North parking facilities have a maximum daily charge of approximately $4.08 during the main daytime period, based on the published parking rate and the same September 2026 exchange rate used above.
Visitors should check the current parking rates before travelling because municipal parking fees and operating conditions can change.
Visitors travelling to Wakayama for the screening can choose accommodation in several parts of the city.
Central Wakayama: Staying around the central city area provides convenient access to restaurants, shops, transport and Wakayama Castle.
Wakayama Station area: This is a practical choice for visitors arriving by JR and continuing their journey by bus or taxi.
Wakayamashi Station area: Accommodation around the Nankai station can be convenient for visitors arriving from Osaka via the Nankai network.
Wakayama Castle area: Staying closer to the castle and civic centre allows visitors to remain near the venue and explore nearby attractions on foot.
Since the screening takes place on a Wednesday, visitors travelling from outside Wakayama may choose either a one-night stay on March 3 or a longer visit incorporating sightseeing around Wakayama.
Wakayama Castle Hall is located in the central part of Wakayama City, where visitors can find restaurants and cafés before or after the screening.
Because this is a cinema presentation rather than a festival, there is no dedicated festival food area or collection of event food stalls.
Visitors can plan a meal around the central Wakayama area, particularly near Wakayama Station, Wakayamashi Station or the Wakayama Castle district.
The screening lasts approximately 3 hours and 10 minutes with two intermissions, so having a meal before the performance can be useful for visitors who do not want to leave the venue during breaks.
Wakayama is also known for regional Japanese cuisine, seafood and local specialities, making the screening an opportunity to combine an international opera experience with local dining.
Food and drinks inside the Small Hall should be consumed only where permitted by venue rules. Visitors should follow staff instructions concerning refreshments in the auditorium.
Wakayama Castle Hall provides extensive accessibility facilities.
Wheelchair seating: The Small Hall has six fixed wheelchair spaces.
Accessible entrances: The complex provides wheelchair-accessible entrances.
Elevators: Dedicated wheelchair-accessible elevators are available.
Accessible toilets: Wheelchair-accessible and multipurpose toilet facilities are provided.
Wheelchair rental: The venue has three wheelchairs available for loan.
Parking: Two dedicated parking spaces are available for wheelchair users, with advance contact requested.
Guide dogs: Guide dogs are permitted.
The official venue information also lists tactile paving, an AED and a nursing room among its accessibility and visitor facilities.
The Small Hall’s six fixed wheelchair spaces are incorporated into its 395-seat capacity. Visitors requiring wheelchair seating or other assistance should contact the venue before attending so that arrangements can be confirmed.
There is one Wakayama screening of Adriana Lecouvreur scheduled for March 3, 2027, so there are no alternate performances in the city.
Wakayama screening: March 3, 2027
The most important attraction is the opportunity to see David McVicar’s Teatro Real production, which was originally staged in Madrid in 2024. The production marked Teatro Real’s first staging of Cilea’s Adriana Lecouvreur and featured an international cast and creative team.
Opera newcomers may particularly appreciate the screening because the story combines romance, rivalry, theatrical life and tragedy. The setting in 18th-century Paris also provides a strong visual framework for the period production.
Experienced opera audiences may be especially interested in the production team and cast. The original Teatro Real run included Ermonela Jaho, Maria Agresta, Brian Jagde, Matthew Polenzani and Elīna Garanča among its principal artists.
The complete production is approximately 3 hours and 10 minutes, including two intermissions, so visitors should allow enough time for the full presentation rather than treating it as a short cinema event.
There is no confirmed 2026 Wakayama presentation of this same Adriana Lecouvreur cinema screening that can be treated as the previous edition. The most relevant previous presentation is the original Teatro Real production in Madrid in 2024.
Teatro Real presented Adriana Lecouvreur for the first time during its 2024/25 season, with performances running from September 23 through October 11, 2024. The production comprised 13 performances.
The production was directed by David McVicar, with Nicola Luisotti conducting. Charles Edwards created the sets, Brigitte Reiffenstuel designed the costumes, Adam Silverman handled lighting and Andrew George provided choreography.
The production was notable for its international cast. Ermonela Jaho and Maria Agresta alternated in the title role, while Brian Jagde and Matthew Polenzani alternated as Maurizio. Elīna Garanča and Ksenia Dudnikova were among the artists appearing as the Princess of Bouillon.
The production also carried historical significance because it was dedicated to José Carreras on the 50th anniversary of his 1974 performance of Maurizio in Madrid alongside Montserrat Caballé. The 1974 performance took place at Teatro de la Zarzuela, while the 2024 production itself marked Adriana Lecouvreur’s first presentation at Teatro Real.
The Wakayama screening therefore brings a relatively recent major European opera production to a Japanese regional audience through cinema presentation.
Tickets for Madrid Royal Theatre “Adriana Lecouvreur” 2027 in Wakayama are listed through Ticket Pia.
Official ticket platform: Ticket Pia
Performance date: March 3, 2027
Venue: Wakayama Castle Hall Small Hall
Published admission: Approximately $15.93
Ticket sales deadline: March 2, 2027, at 11:59 p.m., subject to availability
Ticket Pia identifies the event as the Wakayama-first cinema screening of an opera work from Teatro Real and provides the official purchasing route.
The published ticket price is ¥2,500, converted to approximately $15.93 using a September 2026 JPY/USD rate.
For the most current availability and purchasing information, use the event’s official Ticket Pia listing: https://t.pia.jp/pia/event/event.do?eventCd=2613688
Visitors should confirm ticket availability before arranging transportation or accommodation, particularly because the Small Hall has a capacity of 395 seats.
This event marks the very first cinema screening of a major Teatro Real opera production in Wakayama Prefecture. It brings world-class European classical performance directly to local regional audiences for the very first time.
The event is being held inside the Small Hall of the modern Wakayama Castle Hall complex. The venue provides an intimate, comfortable cinema environment equipped with advanced visual and audio screening technology.
The opera follows the tragic life of a real 18th-century Parisian actress trapped in a deadly love triangle. Her passionate romance with a count triggers fierce jealousy and a tragic rivalry with a powerful princess.
The production is directed by the celebrated Scottish stage director David McVicar. His visionary staging brilliantly captures both grand theatrical spectacle and intense psychological intimacy.
Comprehensive subtitles in Japanese are displayed throughout the screening to ensure full narrative clarity. This allows viewers to easily follow the complex plot developments, poetry, and emotional nuance.
Attendees are strongly encouraged to arrive at least thirty minutes before the scheduled screening time. Arriving early guarantees smooth ticket verification, unhurried seating, and full enjoyment of the venue facilities.
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